Are the shows at the Theatre of Dreams family friendly?
YES! Our shows are rated “G” and once in awhile, we have a performer who may be a little too sophisticated for children under 8 years of age (for example, mind-readers, mantalists). We would specify this on our ads and e-mail announcements!
Do Dream Masterz perform outside of the Theatre of Dreams?
YES! Joe Givan and Carol Massie own and operate the theatre as a “labor of love” and a contribution to the community, but the majority of their performing is done for corporate and private events around the globe.
Reserved seats for the public shows?
YES, if you are one of the first 30 tickets sold…then you get preferred reserved seats in the first 3 rows.
Charge for parking?
No. Free Parking on all sides of our building as well as across the street.
Reservations Required?
YES! We are a small, intimate theatre and seat only 72 theatre-style. Call early to get in the first 3 rows of assigned seating…rest of the showroom seats are first come, first served. Not a bad seat in the house!
What time do the doors open prior to the public shows?
Doors open 20 minutes prior to the show.
Do you mail paper tickets?
No. Names are checked off as you enter at the door.
Are their concessions available for purchase?
No. We do not have a food and beverage license at this time. You can bring a snack however, the shows are just 90 minutes. When we do private parties or special events, food and beverages may be brought into the facility by the renter. We have 6 retangular tables.
Wheel chair access?
YES! We are on street level without stairs into the showroom. Let us know when you call for tickets and we will seat you on the aisle.
Are tickets refundable?
No, we are the same as other concert venues.
Discounted prices for children?
No, we only seat 72 theatre-style, so a seat is a seat just like on an airplane.
How long are the public shows?
Generally a minimum of 90 minutes, although there is often audience participation which can change the exact timing of the show.
Can we video-tape the shows?
No, we need to protect the creative rights of the performers.